![ennu ninte moideen in ponicherry ennu ninte moideen in ponicherry](https://static.toiimg.com/thumb/imgsize-123456,msid-50120203,width-200,resizemode-4/50120203.jpg)
Since their characters hail from affluent families, they both flaunt a variety of fountain pens. Parvathy walks about in a salwar kameez at the start whether such a fashion existed then is questionable. The film is set in the sixties, so Prithviraj wears straight long hair that parts at the right side and covers his ears, and shirts with flowery, printed designs. Overall, there’s a freshness that springs from within all the other actors too. Prithviraj too surprisingly comes across as a little different from his usual self, and not just in appearance though that and the chosen angles add tremendously. It would be an understatement to say that Parvathy puts up a rave performance. Further, for the most part, there isn’t much that is inspiring or great about the reel version of Moideen he’s frivolous.Īll the cash and effort has been poured into the acting and the visuals. While that sort of thing is fine for the first phase, love that lasts for eternity necessarily requires a certain amount of depth. It’s improbable that Moideen ( Prithviraj Sukumaran ) and Kanchanamala ( Parvathy) were just lovey-dovey puppies (who simply stared into each other’s eyes foolishly) as the film makes them out to be. The real-life pair obviously knew each other inside out. The obstacle: one’s a Muslim, and the other’s a Hindu. Ennu Ninte Moideen (Yours, Moideen), reportedly, ran up an astronomical bill due in a large part to an excessive number of retakes. Especially in filmmaking, an art form in which time is money and paying attention to a wide range of details is a requisite. Perfectionism can be quite a nice trait to possess except that it runs the danger of being a little expensive.